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RAFFAELLO Sanzio
The Vision of Ezekiel
1518(1518)
Medium Oil on wood
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RAFFAELLO Sanzio
Portrait of Tommaso Inghirami
between 1510(1510) and 1514(1514)
Medium Oil on wood
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RAFFAELLO Sanzio
St Sebastian
between 1501(1501) and 1502(1502)
Medium Oil on wood
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RAFFAELLO Sanzio
Spozalizio
1504(1504)
Medium Oil on roundheaded panel
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RAFFAELLO Sanzio
Spozalizio
1504(1504)
Medium Oil on roundheaded panel
cyf
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RAFFAELLO Sanzio
Madonna and Child with the Infant St John
1508(1508)
Medium tempera and oil on wood
cyf
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RAFFAELLO Sanzio
The Tempi Madonna
1508(1508)
Medium oil on wood
cyf
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RAFFAELLO Sanzio
Madonna Solly
1502/1503
Medium oil on panel
Dimensions 52 x 38 cm (20.5 x 15 in)
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RAFFAELLO Sanzio
Holy Family below the Oak
1518(1518)
Medium oil on panel
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RAFFAELLO Sanzio
Portrait of Agnolo Doni
c. 1506(1506)
Medium oil on panel
Dimensions 63 x 45 cm (24.8 x 17.7 in)
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RAFFAELLO Sanzio
St Cecilia
1514(1514)
Medium Oil transferred from panel to canvas
Dimensions Width: 60 cm (23.6 in). (of detail)
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RAFFAELLO Sanzio
The annunciation
between 1502(1502) and 1503
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RAFFAELLO Sanzio
Hl. Familie unter der Eiche, mit Johannes dem Taufer
1518(1518)
Medium oil on panel
Dimensions Deutsch: 144 x 110 cm
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RAFFAELLO Sanzio
Portrait of Dona Isabel de Requesens
1518(1518)
Medium Oil on wood transferred to canvas
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RAFFAELLO Sanzio
Madonna with the Fish
between 1512(1512) and 1514(1514)
Medium Oil on canvas transferred from wood
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| RAFFAELLO Sanzio
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Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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